King Con a screen play Essays

King Con a screen play Essays King Con a screen play Essay King Con a screen play Essay A brightly lit, stylish apartment. FACE sits on a large leather chair, his back to the extravagant open-plan kitchen. His attractive features are clouded by a look of concentration. Suddenly his eyes light up and his face breaks into a smile. FACE Ive got it! I know how were going to do this. Across a small glass coffee table are three men, one old wearing a dark suit ALBUS FEWKES, one young in jeans and a jacket RYAN FIXIE CONWAY and one particularly well built, wearing all black SPENCER COLLINS. They sit alongside a beautiful, young brunette woman, wearing royal blue CAT CRUSH. They look up with interest. CAT Tell us then FACE Alright, here it is. 2. EXT. PAVEMENT OUTSIDE HOTEL. Day. 2. Busy pavement outside an impressive, tall building. A car door is opened by a chauffeur to reveal SIMON ROYALE, a short man, dressed in expensive clothes. He nods at his driver, walking purposefully into the building. FACE (V.O) We know from Albus extensive enquiries that our only chance to get near The Mark is his stay at the Rochester. This means weve got to get in there. 3. INT. HOTEL LOBBY. NIGHT. 3. The Lobby is bright and spacious, expensively furnished with a large desk between the elevators and the doors leading out to the rest of the hotel. (CONT:) CONT. PHONE RINGS, the young, blonde, RECEPTIONIST dressed in red Rochester uniform answers. ALBUS (V.O) (voice slightly exaggerated) CONGRATULATIONS! Youve won our HR raffle, winning a night at Netherfield Spa. Dont worry well cover your shift! Receptionists face lights up with a smile. 4. INT. HOTEL LOBBY. DAY. 4. Simon Royale gives his name to check-in. The red-head girl behind the desk looks up, giving a winning smile, revealing herself to be Cat in disguise. She hands him a key-card and a Welcome Pack with an obvious leaflet, reading: Tonight, Worlds Best Elvis Tribute. FACE (V.O) Well need Albus in there too. Simon Royale turns to walk towards the elevator. Behind him Albus, dressed in a red Rochester uniform, is walking past. He gives Cat a subtle wink. 5. INT. HOTEL 7TH FLOOR CORRIDOR. DAY. 5. Simon Royale exits an elevator and uses his room key to gain entry to room 713. FACE (V.O) With Cat planted at the desk well know what room hes in and when he comes down for the entertainment. Well just- FIXIE (V.O) Hold on 6. INT. APARTMENT. DAY. 6. Look of confusion on Fixies face. FIXIE What entertainment?! Face looks to Albus who gives him a nod. Face shuffles uncomfortably in his chair. (CONT:) CONT. FACE (Slowly) Royale is a HUGE Elvis fan. FIXIE RightSo..? 7. INT. HOTEL ROOM. DAY. 7. The welcome pack sits on the desk in Simon Royales suite. The Elvis leaflet is on the top, clearly stating that a Ryman F. Cohen is going to be performing in the Hotels main lounge. Simon Royale picks up the leaflet, looking at it with an approving smile. 8. INT. APARTMENT. DAY. 8. Spencer and Cat laugh as Fixie jumps out of his chair exclaiming his disbelief. FIXIE (Determined) No way, theres no bloody way that Im doing Elvis. FACE (Calmly) Its got to be you, none of us could pull it off. Youre definitely our performer. (Laughing softly) Your daily shower routine is Always on my Mind! Fixie breathes deeply, obviously mulling over what is asked of him. FIXIE Bloody hell Alright.. The others in the room all cheer with friendly laughter as Spencer pats him on the back. FIXIE Theres one problem though I only know one Elvis song. Theres mild panic as everything falls quiet. All look to Face, who after a couple of seconds silence, pulls himself up in his chair slightly shaking off his doubts. FACE We can work with that. 8. INT. HOTEL ENTERTAINMENT LOUNGE. 8. The lounge is pleasantly dark and lavishly furnished. There is an oak bar that runs along the back wall facing a stage and 25 tables. FACE (V.O) Albus, its up to you to get it past the lounge staff so no one notices that Fixies not meant to be on stage. FixYou have to start practising. Albus is behind the bar in the Rochester lounge, putting up a poster advertising the Elvis performance, a couple of staff members look on, giving nods of understanding that theres a new act scheduled. He then edits the rota, ensuring hes working during the performance. 9. SPLITSCREEN INT. HOTEL ROOM BATHROOM / APARTMENT BATHROOM. NIGHT. 9. Simon Royale is getting ready for the evening. He is in the shower, washing his hair. Simultaneously, Fixie is in his shower, obviously rinsing excess dark hair dye out of his hair. Simon Royale then wraps a towel around his waist and walks towards the basin. He looks in the mirror, mimics Elviss famous Lip Curl, smirking at himself. At the same time, Fixie walks to his mirror and practices the Lip Curl, shaking his head at his attempts. Simon Royale then picks a comb out of his washbag and combs his hair flat to his head. Meanwhile, Fixie grabs a comb from the shelf under the mirror and combs his hair into an elaborate quiff. 10. INT. HOTEL ROOM / APARTMENT. CONTINUOUS. 10. Simon Royale pulls on another expensive suit, fixes his tie in the mirror and makes his way to the door of his room. Simultaneously, Fixie pulls on a 50s shirt, tucking it into tight black jeans, fixes his quiff and makes his way to the door of the apartment. 11. INT. HOTEL LOBBY. NIGHT. 11. Simon Royale emerges from the elevator, walking past the front desk where Cat stands, a fixed smile on her face. As he walks to the lounge, Face approaches the desk. FACE I have a reservation in the name of Will Shakespeare. CAT (Grinning)Heres your room key Sir, I hope you enjoy your stay with us. (Quieter) I think were ready, be quick! Face gives her a nod and a look of mild anxiety mixed with excitement and makes his way to the elevator. 12. INT. HOTEL ELEVATOR. CONTINUOUS. 12. FACE (V.O) Getting in there, getting up there, isnt the problem. Faces finger hovers over the number 7, but, lifting his eyes slightly to the security camera in the corner of the lift, he moves it to the number 5. 13. INT. HOTEL LOUNGE. NIGHT. 13. Simon Royale enters, takes a drink from Albus and settles himself at one of the centre-front tables. FACE (V.O) Were going to be a bit pushed for time. 14. INT. HOTEL 5th FLOOR CORRIDOR. NIGHT. 14. Face is walking away from the closing elevator doors. A gold sign indicates he is on the 5th floor. He makes his way through a set of red doors marked Stairs. FACE (V.O.) But its getting us all out of there before anyone notices that Fixies only got one song OR that were in the building. We need something special. 15. INT. HOTEL LOBBY. NIGHT. 15. Cat stands behind the front reception desk. She glances around, letting her eyes linger on two security guards. (CONT:) CONT. FACE (V.O) We dont want security to clock Albus and Cat trying to leavebesides everyones expecting at least an hour of entertainment from Fixie. 16. INT. HOTEL STAIRWELL. NIGHT. 16. Face is running up the stairs as fast as humanly possible, clutching the key-card as he climbs. 17. INT. HOTEL LOUNGE. NIGHT. 17. Fixie is at the side of the stage. An inaudible introduction is given. The room is full, the crowd CHEERS. He takes a deep breath, holds his head up and saunters on stage. He holds his microphone as the first bars of Elvis LITTLE LESS CONVERSATION play. 18. INT. HOTEL 7th FLOOR CORRIDOR. NIGHT. 18. Face, outside room 713, speedily swipes the card and with a quick look around, enters. 19. INT. HOTEL ROOM. CONTINUOUS. 19. Face, closing the door behind him, makes a quick sweep of the room with his eyes. They light up when he spots a heavy-duty briefcase. He quickly breaks into it, and removes the 4 disks inside, placing them in his jacket pocket. 20. INT. HOTEL LOUNGE. NIGHT. 20. Fixie is mid song, strutting across the stage as he sings. Face enters the room, Albus looks at the clock. FACE (V.O.) One of the nice things about the Rochester is that it shares its back entrance courtyard with the Bateson-Woodhouse testing facility. What could possibly be nice about that? Well If someone were to call the ALF, anonymously informing them when to expect a breach in security, they might be inclined to provide our distraction for us CAT (V.O) How could someone know that? 21. EXT. BATESON-WOODHOUSE/HOTEL COURTYARD. NIGHT. 21. Spencer is proudly wearing a security uniform with a name badge saying Edgar. He looks at the time, looks around and leaves his post. Moments later, a crowd with bolt cutters, spray paint and Save The Animals posters descend upon the unguarded compound. 22. INT. HOTEL LOUNGE. NIGHT. 22. Fixies song comes to an end, panic crosses his face as he realises the crowd will be expecting his next number. Albus hears the commotion in the courtyard and quickly opens the back door, allowing the yelling to distract the guests and the liberated animals to make their way in to the lounge. He then ducks back behind the bar and watches the chaos ensue. FACE Hey, is that a monkey?! As animals fill the room, Face, now sure his team will all make it out, leaves the lounge, quickly followed by Albus. The security guards, previously stationed in the lobby, appear at the sound of shouting guests. Simon Royale is clearly distressed and perplexed. A look of realisation crosses his face. He tears out of the Lounge. 23. INT. VAN PARKED ON STREET. NIGHT. 23. Spencer breathes a sigh of relief as he spots Face, Albus and Cat sprinting towards him. They enter the van, laughing. CAT Wait a minute, what about Fixie did you see him get off the stage? SILENCE as they all realise they dont know where he is. PHONE RINGS, Spencer answers it SPENCER (On Phone) Fixie? Is that you? 24. EXT. STREET OPPOSITE HOTEL. 24. Police lights flash from across the street, groups of people and animals are forming outside the Hotel. Fixie stands watching the chaos, he puts the phone to his ear, and grins, satisfied. FIXIE (On Phone) Elvis has left the building.

Article synthesis Example | Topics and Well Written Essays - 500 words

Synthesis - Article Example The article suggests that one of the ways to solve the problems is what is referred to as communication strategies. This is because communication strategies have the ability to overcome the problems since it presents some logical organization of varied communication skills within certain theoretical framework. The article further discusses problems that are realized in communication skills, and identifies social barriers as some of the ways that affect communication skills. In conclusion, the article notes that there are still some problems that exist and there is a need to create further emphasis to enhance staff, patient’s satisfaction. This article has been able to analyze in details; the description of research question as well as hypothesis and description of their criticality on research process. Further, the article has emphasized on the criteria that is seen to be the best in identification of effective research questions. In details, the paper has sought to reveal the advantages as well as the disadvantages that may be experienced in the use of directional and non-directional hypothesis in research. Further, comparison has been made between research hypotheses and statistical hypothesis. The article has also identified the criteria used in critiquing a hypothesis as well as a research question and how this criterion may be used in evaluating research question and research hypothesis in a report. This article identifies professional skills that are needed as communication skills in a healthy work environment, and how this has a bearing on achievement of a positive outcome. The literature lays emphasis on the role of the manager in the facilitation of skilled communication. The article also focuses on the responsibility of individual nurse in becoming a communicator with skills. In providing detailed information so as to enable conceptualization of a Five-Factor Model of becoming a skilled

A Journal opinion article and address an economic issue of current

A Journal opinion and address an economic issue of current interest to Wall Street Journal readers - Article Example This has been faced by anti- austerity protests in these countries as common citizens suffer from the harsh effects of these measures (Navarro 345). This has left people wondering whether the austerity measures are really the way to go about the debts or whether does it just escalate the problem. Austerity measures were instituted in order to make it possible for the economy to recover in the long run. This comes with a major price: reductions of government spending results in increase in current unemployment rates, reduction in personal income and lowers the standard of living of the people. This is done with the hope that when the governments are able to overcome the debt problem and boost the economy, it will thus be possible to create more jobs and improve the standard of living of the people. The measures have been seen to work in some countries such as in Greece which has been able to achieve spending cuts of about 53% in the first half of this year. Although these measures may be seen to be working now in reducing spending their questions whether it will be possible for the countries to recover from the effect of these measures in the longrun. Experts say that the western economies have reached their peak of growth (Lynn, 345). If this is true, then it means that the economies are now on the down slope and it would not be possible for them to get back to the top. This means that the austerity measures would only make the living standards of the citizens of these countries deteriorate without any hopes for recovery. Take for instance the Greek strict measures that they have taken in the recent past. The Greek government has now announced that there will be no Christmas celebrations in this country (Anon, 230). This is based on the fact that peoples spending increases in times of celebration as people spend more on clothes, food and gifts rising the normal spending to

Adolf Loos Design Culture Essay Example for Free

Adolf Loos Design Culture Essay There are, or were, better arguments than Loos’s against the misuse of ornament. It could be considered morally dubious, because it is a means of showing off ones wealth. That historical argument was made in the days when hand-crafted decorations were very expensive, but it no longer applicable, now that ornament can be machine-made at a modest cost. In any case, good ornamentation has never been valued solely as ostentation; traditionally, it has also been seen to have real aesthetic merit. Sometimes, excessive ornamentation could be said to be unaesthetic; and in my perspective, some extreme art creations fall into this error. Art plays a particularly important and influential role in culture. It does not simply reflect culture; it creates culture. By studying ornamentation in different periods of design history, we can understand more about how it has manifested itself and why it is a vital part of our history. Window displays, if used effectively, can bring retailers new customers, create customer loyalty, and enhance the image of the business. By decorating and furnishing the display windows, retailers can attract more customers into their stores, increase the sales and revenue, because the majority of purchase decisions are made on impulse. Window displays continue to have a massive influence even until now. It is one of the most important tools to draw customers’ attention. Even from an economic perspective, ornamentation is not necessarily a waste of labour, money, and materials. The 19th century definitely is the century of decorative arts. At the beginning of the century, the arts were ornamental subjects in the education of young ladies and gentlemen. Artistic accomplishments were displayed in pleasing social performances that appeared effortless but demonstrated good taste and ideal values, knowledge, and skills. Art education was one component of a process of secular refinement that spread from the wealthy to the middling sort and included the beautification of houses, churches, as well as school buildings. The art of interior decoration and design was at the same time intimate and luxuriant. Loos argues that ornamentation is uncivilized and primitive, and would hinder the development of national culture. However, ornamentation meant more than just decoration at that time, and the acceptable use of ornament, and its precise definition became the source of aesthetic controversy in academic Western architecture, as architects and critics searched for appropriate styles. â€Å"A plain, functional form generally signified the often harsh necessities of work, and as such was tolerated in its place, but art, in the form of decoration and ornament, represented for many people a deep aspiration for a better life† (Heskett, 56). Ornamentation at that time brought not only the sense of beauty but also mentally content to its user. What do vehicles, vacuum cleaners, ironers, planes, and ships have in common? Obviously, the streamlined design. In the 20th century, streamlined design has evolved from a scientific to an ornamental purpose. While Loos argues that ornamentation is crime and designers should focus on functions, streamlined design actually improves the functionality and the durability of a product. The goal for the future is to improve aerodynamic efficiency by greatly reducing drag while maintaining and, wherever possible, increasing down-force† (Ferrari. com). As a result of using aerodynamic streamlined design, Ferrari has become one of the best hyper-sport car brands in the world for fifty years, best known for its speed and handling. â€Å"In fact, Fordism turned the factory into a kind of super-machine in its own right, with both human and mechanical parts† (Wollen, P66). Fordism is the economic period that turned craftsmanship into the mass production of standardized objects. Under Fordism, production entailed an intensified division of industrial labor; increased mechanization and the coordination of large-scale manufacturing processes to achieve a steady flow of production, and shifted toward the using of less skilled labour. This system effectively reduces the costs of producing large quantities of products and, consequently, makes the sale price significantly lower than the craftsman’s. An ornament is not considered to be a prior-determined mask anymore, to create a significance, or, to have a certain meaning, as it was during the postmodern period. It does not have the role of concealing things, as it did in different historical periods before the modern period, when its existence was futile. A good example of modern design is a wall clock. A clock is meant to draw our attentions through its function. With a fancy design, it also serves as a decoration in the environment. But no matter how fancy the design is, a clock is always meant to be seen easily and quickly. Practical and ornamental designs oftentimes intersect. In those cases, the design elements involved can either work well together or hinder each other. Loos’s argument about decoration is degenerate and inherently criminal does not stand up. Given the time in he is writing, we can forgive Loss his racist assumptions about the black and the Papuans. However, his assertion that primitive people decorate themselves in tattoos so, therefore decoration must be a degenerate practice is completely unfounded and holds no weight at all. I appreciate modern design just as much, if not more than the ordinary person, but truth be told, I am not really interested in decoration.

The Destructive Effects of the Vietnam War Essay example -- Vietnam Wa

The Destructive Effects of the Vietnam War The destructive effects of the US war in Vietnam encompass not only a body count, but also the festering intellectual wound of a war that could not be satisfactorily explained away. The battles of Vietnam, in particular, seemed an affront to conventional understandings of ‘American culture’, military power, the limits of technology, the very possibility to control, and the causes of wartime atrocity. This deeply unsettling part of the Vietnam experiences the US endured revolve, at least to a degree, around the division between the inside and outside. The inside going into the war, from the US perspective, was an ‘American culture’ with ‘American values’, entailing an entire worldview with attendant sets of behaviors considered domestic. The outside was, of course, the radically alien junglescape populated with in-credible enemies, ‘shifty’ and ‘dangerous’ peasants, and untamable environmental hazards to boot. Apoca lypse Now works from a context fixated on the terms of inside and outside for analysis of the battles of the Vietnam War to question these categories by a strategic challenge to both totalizing theories’ explanatory power with elements of layered complexity. Of the post-war 1970’s commentary and reflection on the Vietnam war, the anti-war and rather pacifist afterglow of wartime activists offered perhaps the clearest analysis of the tragedy of the war and its atrocities: the problems are deeply internal to American culture. The 1978 film The Deer Hunter addresses the issue head on, with the Washington Post review opening, As the world moves down the various roads that converge at apocalypse, the ultimate issue becomes life itself, transcending politics or ideology... ...e before the theoretical, where place cannot exist because there is not yet a relation formed to tell the experience where it is. In the bright flames of a reality with uncertain connection to simplistic theories of division of place, the credits roll as the forest and dichotomy of place explode and burn away. Works Cited Apocalypse Now. Dir. Francis Ford Coppola. Miramax, 1979. Bonds, Ray. The Vietnam War. New York: Crown, 1979. Hornbacker, Robert Allen. Real Ultimate Power. 2002. UCLA. 1 March. 2002. http://www.bol.ucla.edu/~rahjr79/ Kroll, Jack. â€Å"Life or Death Gambles.† Newsweek 11 December, 1978: 113+. Matthews, Jay. â€Å"Chinese Assert Viets have Been ‘Taught Lesson’.† The Washington Post 4 March, 1979, A1+. Price, Bem. â€Å"They Fought In Vietnam with One Hand Tied Behind Their Backs.† U.S. News & World Report 30 June, 1975: 41+.

Singles

A day I will never forget One day I will never forget would be September first 2014. That was the day that Is made the volleyball team. I was eager to tryout since my friends and I did It last year. Everyday I had to wake up at six o clock In the morning and play volleyball. The coaches made us run a mile, pass to the target, serve, and set. After the first day of tryouts were over I went to straight to Walter and bought a volleyball.That night I practiced and watched volleyball videos on youth working on everything that we did in tryouts. During the tryouts I had to deal with negative people who didn't want to play with me because last year in 7th grade I wasn't all that great. It really hurt my feelings that people didn't want to play on the same team with because of last year. Sometimes those girls made me go to the point where I just didn't want to do tryout anymore because they were so mean and made me feel bad.When tryouts started this year I was determined to make the a team; I had to make it. Through tryouts I striver to be a better volleyball player and a better athlete. When I did really good and got my serves over I would pass to the target the coaches would tell me good Job or keep It up. When they said that It made me want to do better. So I did what they said and kept It up.

The House on Mango Street - Esperanzas Voice - Free Essay Example

Sample details Pages: 3 Words: 927 Downloads: 10 Date added: 2019/05/31 Category Literature Essay Level High school Tags: The House on Mango Street Essay Did you like this example? The story of Esperanza is one that many minorities face, even in todayrs society. Every day she had to deal with things from both a poverty and racist standpoint. She talks about how the poverty she faced affected the way she looked at her self. Don’t waste time! Our writers will create an original "The House on Mango Street Esperanzas Voice" essay for you Create order She also goes on to talk about how the racial divide she felt, even at a young age, influenced how she felt about the world. Even with all the issues that Esperanza faces, she uses poetry as a means of escape, and uses it to help rebuild her self-confidence. While these problems exist today, we can use The House on Mango Street, and Esperanzars story, to look toward the future, and maybe one day, fix this world so no man, woman, or child has to go through the pain and suffering she did. Throughout The House on Mango Street Esperanza dreams of an escape and is able to find solace through writing and reading poetry. Esperanza talks about the effect of her Aunt Lupe, who she would read stories and poems to. Lupe is the first person to really connect Esperanza to her writing. Her aunt stated, It will keep you free (Cisneros 61). In chapter 29 Four Skinny Trees is when Esperanza is starting to develop a new sense of self and strength. She uses the trees to find inspiration, Four who grew despite concrete. Four who reach and do not forget to reach. Four whose only reason is to be and be (Cisneros 75). As the book keeps progressing Esperanza takes a look at the women surrounding her on Mango Street. Each is trapped in some situation and she take a special interest in Minerva. Minerva is married with two children to a physically abusive husband. Esperanza compares herself to Minerva because they both write poetry. Esperanza notices and decides she will try to avoid Minervar s path for her future. Experiences Esperanza encounters with racism also helps to build her character. Racism is something that she is faced with on numerous occasions. In the chapter Those Who Dont Esperanza talks about noticing how people who arent from her Latino neighborhood become scared and that her people of color are dangerous. She believes those who enter her neighborhood and dont belong are often there by mistake. Also, even as a young girl she mentions the change in attitude when going somewhere, in her words, they dont belong. All brown all around, we are safe. But watch us drive into a neighborhood of another color and our knees go skakity-shake and our car windows get rolled up tight and our eyes look straight (Cisneros 28). Later in The House on Mango Street Esperanza has an altercation with Sister Superior at her school about being able to eat in the canteen for lunch. Her mother writes a note stating to please allow her as their house if too far away. The Sisters response was That one? She said, pointing to a row of ugly three-flats, the ones even the raggedy men are ashamed to go into (Cisneros 45). This statement raises the question in the readers mind, why does the Sister assume Esperanza lives in the run-down apartments? One assumption could be based on Esperanza being a little Hispanic girl living a more poverty lifestyle. In some cases, poverty and race intertwines and could be believed that this example shows that correlation. One factor that shaped Esperanzas character was the poverty her family faced. The first example of their economic status was Esperanza describing her house on Mango Street. She describes the house as bricks crumbling, having an extremely small yard, paint peeling, and wooden bars over the windows (Cisneros 4-5). After describing her house, she talks about a specific incident with a store clerk. Where do you live? She asked. There I said pointing to the third floor. You live there (Cisneros 5)? Esperanza goes on to explain the way the conversation with the clerk made her feel as if she was nothing. This was a pivotal moment in the growth of Esperanzas character. I knew then I had to have a house. A real house (Cisneros 5). Another example of her shame is during a baptism party. Esperanzas mom buys her a new dress, undergarments, and new socks while she is still having the where an old pair of school shoes. Once every year in September she gets a new pair of shoes for school. Esperanza describes the shoes as scuffed and the heals being crooked. It doesnt matter how new the dress mama bought is because my feet are ugly (Cisneros 47). Esperanza feels ordinary having to wear her school shoes and this affects her self-esteem. The House on Mango Street follows the story of a young girl named Esperanza Cordero. This book takes us through a year of Esperanzars life and the growth she experiences. The House on Mango Street talks about the shame Esperanza feels due to her families poverty, the unfairness of the racism she faces, and how beautiful poetry and music can be. The book also shows the lives of some of Esperanzas neighbors. This helps to show the common living condition for Hispanics during this time period. Mamacita is afraid to speak the English language, Alicia has dreams of graduating college while her father wants her to focus on womanly duties, and Minerva who is married with two kids and a husband who is physically abusive. By giving these examples the readers are able the see the male oppression happening around Esperanza which is fueling her dream of leaving Mango Street even more.